Feeds:
Posts
Comments

Archive for the ‘One Star’ Category

Two and a half hours of action scenes and a plot no human could possibly follow. About half-way through I was ready to be done. If you want action thrillers, I guess that’s your movie. Rotten Tomatoes gave it 97%.

All I can remember the day after is: long, endless motorcycle chases, Paris cops, helicopters, mountains, and badass anarchists with stolen plutonium and nuclear weapons. And, ah, CIA and spies and double agents and triple agents.

Here is my review:

 

Don’t bother!

Read Full Post »

Portal to the Forgotten: A time travel story

Tyler and Grace, a young couple in rural Arkansas, are out for a walk in the Ozarks, when Grace suddenly disappears into thin air on the trail right in front of Tyler. When Tyler tries to explain this to the authorities later he is arrested for suspected murder of his girlfriend.

Luke is Tyler’s cousin. His hobby is building primitive weapons, hunting with primitive weapons and tools, and playing survivalist in the woods of Arkansas. When he hears about Grace’s disappearance, the believes Tyler, and he goes on a quest to figure out what happened. On this way, a mystery woman who claims to be a writer, befriends him and they retrace the steps of Tyler and Grace.

Sure enough, there seems to be a “portal” in the woods. They traverse the portal and end up in “another dimension.” But they don’t have much time to reflect. Luke finds himself in a net, trapped like game in the woods by tribal savages.

Portal to the Forgotten is sold as a time travel story, and that’s how I stumbled upon it. But it really has little to do with time travel. The protagonists are simply tossed into a world that is completely different from their own, with seemingly no way back.

The author romanticizes his characters. Luke, for instance, happens to be a primitive hunter. He drives his pickup truck into the wilderness, parks the truck, walks away, sort of like they do in Naked and Afraid, and builds tools, hunts animals, and lives off the land. That’s his hobby. Supposedly he is REALLY good at that. Now what are the odds of such a person ending up jumping through a portal into a primitive prehistoric world, without any weapons or tools? Yes, the plot in this story is too contrived.

Luke is the perfect primitive hunter, better than any of the tribal adversaries. Moon turns out to be a one-man army – think of Rambo. Grace, a martial artist, is also a fighter in her own right. So the people stumbling into the “other dimension” are all super heroes with super hero skills.

The land where they end up is not quite the past, or perhaps the deep past, but a prehistoric world full of different tribes, some more advanced than others, but who all are killing each other. The world is so savage, that every time two human males of different tribes cross paths, one of them dies. Of course, our super hero crew always wins, and the savages fall like leaves. Still, a society where human males always kill each other on contact would not survive very long, but that seems to be the world they are thrown into. And let’s not forget, there is the obligatory Nazi named Karl who time traveled to the same world in an effort to steal ancient technology, kind of like in Indiana Jones. True to expectation, it’s the Nazi and his mission who makes everyone’s lives complicated.

Portal to the Forgotten is a somewhat clumsy story with an unlikely plot. It starts out interesting, but as it evolves, it gets boring. There is a lot of editing needed. Sometimes the author uses wrong words or poor grammar. The book could use some professional editing. There is a lot of exposition, where the author tells us what the protagonists are thinking. So we are constantly in the heads of the protagonists, and their thoughts are often just puerile.

For instance, at one point in the story, still back in the Ozarks, Moon had passed out drunk and naked and Luke had brought her into the cabin and put her into bed. So it’s established that Luke had seen Moon naked before.

But later, in savage land, there is the following passage:

“While you are whittling on that, I’m going to bathe.” She stood. “I trust you won’t look.” Luke immediately turned red. He hated himself for it. “That is so cute.” He turned redder and scraped harder and faster, wished she would just go bathe. He heard her behind him taking her clothes off. He was tempted to look, but he was too embarrassed to say anything, much less turn around.

Gschwend, John. Portal to the Forgotten: A time travel story (p. 55). UNKNOWN. Kindle Edition.

The passage continues for a while where Moon is all prissy about standing in front of the fire to dry off and making Luke close his eyes. So these two adult super heroes are stranded in a wild country and they are worried about seeing each other naked? The book is full of descriptions of such unlikely and inconsistent behavior, it makes the characters unreal and incongruent.

Portal to the Forgotten has too much crammed into the story that does not belong there or add to the plot. The science is babble-science. I like my science fiction to the SCIENCE fiction. The plot is contrived and the characters are just not very interesting.

There is a sequel, but I won’t read it.


 

Read Full Post »

Two brothers live together in their boring, unsatisfying lives. One day a package arrives in the mail which contains a video message that eventually inspires them to go back to a cult where they were born and raised many years ago. They drive down to San Diego – I can tell because they pass the San Onofre nuclear power plant in our neighborhood – and then up into the hills in the Julian area. The entire movie plays in a camp in the highlands in eastern San Diego County – an area that I call home and where I have spent much time hiking. There are also a few scenes that were shot in the Borrego Springs area.

In the camp there are a couple of dozen goofy characters living odd lives. Strange things happen. Slowly, ever so subtly, the brothers are pulled back into the community. They stay an extra day, then another one, and soon it becomes clear they might not leave at all.

The Endless is an impossibly boring movie with no plot whatsoever, that goes on – well – endlessly. It’s also a very low-budget movie. They needed one car, access to a mountain camp, some twenty actors, most of them without any speaking roles, and very few props or costumes of any type. Even the special effects are cheesy and cheap. The story makes no sense. There really isn’t an end, and the moral is supposed to be that we’re all trapped in our lives, in endless loops, longer or shorter, repeating day after day, or week after week, or minute after minute.

Good grief! How this got 96% on the Tomatometer is beyond me!

Save yourself the endless, pointless, listless agony and don’t bother with this movie.

Half a star for the movie, and another half a one for the soundtrack – typical horror-suspense but at least somewhat enjoyable.


 

Read Full Post »

As I have done for pretty much all my life, when a new Star Wars movie comes out, I go see it within the first few days. It is a ritual, a rite, something I do, and I know it’s the same for many of my contemporaries.

As usual with Star Wars, I can’t really follow the plot. There are always people who are on far-away planets who are needed for help with some impossible task and emissaries go to find those people. Then there are the mysterious telepathic connections between the Jedi and his disciples, which transcend time and space. Luke, who is the protagonist of this movie, is not very satisfying as a character. He is the last Jedi, but a burned-out one, a reluctant one, and a lot of the movie’s energy is spent on making Luke just do the right thing. To me, that is not much of a plot.

My favorite and repeated complaint with Star Wars is about its disregard for physics. Spaceships don’t fly, they just wink in and out of ordinary space when they go into lightspeed seemingly without acceleration. Except when it’s the old Millennium Falcon, which seems to have superpowers and always flies like a fighter plane in the atmosphere, pulling tight curves, whether it’s in space or not. Fighters continue to fly like there is air, and orbital dynamics is completely ignored.

My most enjoyable experience with Star Wars is usually its depiction of aliens in ordinary settings. I can think of the classic bar scenes that seem to be customary in all episodes. This time, there is only a short sequence in a casino, where there are a few aliens, but they are all humanoids. It seems the entire Star Wars galaxy has devolved into humans with head masks. I am sure that’s to make production cheap, but it’s trite and uninspiring to me. Why isn’t there ever a real alien that is part of the mainline plot? No, I don’t mean another Jar Jar Binks, who himself was nothing but a human in an amphibious suit.

This episode does not tell much of a story and seems to exist only to set the stage for the sunsetting of the two characters most intimately associated with Star Wars: Luke Skywalker (played by Mark Hamill, of course) and Princess Lea (played for the last time by the late Carrie Fisher). We say our good byes to both of them, amid a story of fireballs of exploding ships, spaceships racing in tight spaces, comical droids, rubber-mask aliens, desert rust-bucket floater-ship races and a Wookie.

There is nothing new in this episode. The franchise has run out of original ideas and every movie is just a collection of old concepts and special effects, rendered on a new stage, in a slightly different story between good and evil.

True to Star Wars legacy, every conflict in the galaxy is eventually resolved by a swordfight between two humans. All the action stops, high-tech weaponry goes silent, armies of star troopers vanish, spaceships float inactively, the crescendo of the music rises, and the light sabers zap out of their handles. Plot resolved. Deus ex machina.

Will I go see the next episode in a year or so?

Probably.

 

 

Read Full Post »

Movie Review: Kingsman

Kingsman

Watching Kingsman was like watching a cartoon. And, I guess, it’s not surprising. The story is based on a comic book.

Kingsman: The Secret Service tells the story of a super-secret spy organization that recruits a street kid (Taron Egerton) through one of its agents (Colin Firth).

A tech tycoon (Samuel L. Jackson) creates a global threat, and the street kid, with his innocence and gusto, saves the world.

The movie got a surprising 75% rating on the Tomatometer. That just goes to show you that movies are now made for slapstick humor, lots of bang-bang-bang and you don’t really need to think.

It’s only been a few days since I watched Kingsman, and I have basically forgotten about it already.

Please don’t bother going.

Rating - One Star

 

Read Full Post »

John Wick

John Wick (Keanu Reeves) is an ex-hitman who lives a quiet life in New York City. He mourns the recent death of his wife. He gets hassled at a gas station by a young punk in a hoodie who acts like he wants to buy his car, but he gets away. But the punk persists and somehow figures out where John Wick lives and shows up at night in the house with a few other thugs, beating him, killing his dog and stealing his car.

It turns out the punk is the hapless son of a Russian mafia boss (what is it with me and Russian mafia movies these days – see here for The Equalizer, which tells a somewhat similar story). To make things worse, Daddy knows who John Wick is. He is visibly afraid of him and wants to work it out. But John doesn’t buy it. If you kill John Wick’s dog, a present from the beloved late wife, there will be no mercy.

John Wick starts a one-man war against the entire Russian mafia in New York City. This is reminiscent of McCall in The Equalizer or Rambo in First Blood.

The movie is one hour and 36 minutes long, but seems much longer. With minor interludes, it consists of John shooting Russians by the dozens, by the hundreds. At the beginning of the movie, hoodie overpowers and beats John in his house. But then John gets mad and overcomes 10 killers all at once in the same room, all movie long.

I don’t understand how this got 83% on the Tomatometer.

The movie seems like a video game where the main character just wanders around the city in all sorts of different locales and keeps shooting people in the head. Nobody seems to ever hit him. It goes on and on.

And on.

And on.

There is nothing else.

Rating - One Star

Read Full Post »

From_Time_to_Time

It was late in the evening on a weekend. I was up alone. My mind was fried. I had no initiative for creative work of any kind.

I flipped through the Netflix pages and found From Time to Time, where the description talked about time travel.

Time Travel! I am always ready for a good time travel story. So I watched it.

Tolly, a British teenager returns to his ancestral home for a long vacation in 1944, towards the end of World War II. His grandmother thinks that his father had died in the war, but the boy does not believe it. He senses his father is still alive.

As he explores the old house, he finds that he can mysteriously travel between the present and the 1700s, or the people that lived in the house in the 1700s overlap the present like ghosts that only Tolly can see. He communicates with the ghosts and actually interacts with them. This helps him unlock family secrets that have been sleeping for centuries.

From Time to Time is a dry and slow ghost story, just interesting enough that I kept watching, but not good enough that it mattered that I didn’t quite follow the full plot. When it was done I realized that I’d hang on to the memories just long enough to write this review.

And that would be that.

Rating - One Star

Read Full Post »

TIMET.I.M.E is a time travel novel that deals with United States history. T.I.M.E. stands for Temporal Intervention and Management of Events. This is a agency whose apparent mission is to fix up American history so it comes out better. Agents are sent back in time to pivotal events, like the assassination attempt on Reagan, to make minor corrections  and manipulate the outcome. When the agents return back to their home time, they are the only ones that remember history the way it used to be – since they changed it and  in the world they return to it’s the only history everyone knows.

When you ponder this it does not take long before paradoxes arise and things get quite complicated. But such is the nature of time travel stories, and that’s probably why I enjoy them so much.

This premise is a good one, and the book’s first chapter does a nice job in its execution. It lured me in.

As  I went further into the book, however, I found a myriad of problems with it, and I would summarize it now as a clumsy work at best.

To begin with, there is no one protagonist, but there are three agents who sort of serve as the “lead character,” while none of them is well rounded enough to be able to keep them apart. It’s Peter, Jon and Sabrina. All three are cardboard characters. Sabrina, being the girl, is supposed to be really sexy, but the author does not show us, he tells us awkwardly by describing how Peter looks at her. Since none of the  characters are noteworthy in any way, I didn’t find any reason to empathize with any one of them, or care about how things would go. It made for shallow reading.

The structure of the novel was odd. The first few chapters describe how the agents go back in time to “fix” history. There is never any explanation of how they get into the past  and then back. They just seem to wake up in hotel rooms  in the past. Then, later in the book the entire structure seems to change and at the end, the story unravels so it does not really end, but just kind of fizzles. It’s almost like the author got tired of it himself.

The book is littered with spelling errors, grammatical errors, missed words, fragmented sentences and strange constructs. I felt like I was the first person to ever read the book. Does Richard Wood not have any editor? If not,  does he not have a friend who could at least read the book ONCE to get rid of the worst editing errors? At the beginning I started keeping track by making bookmarks, but there were so many errors, hundreds, I lost interest in doing that. After all, I am not the author’s editor, I am a paying reader. It’s not my job to correct his errors.

This lack of attention to detail annoyed me and distracted from the story. The author didn’t even care enough to proof-read his own book – but he expects us, the readers, to pay him money for the privilege.

Some Amazon reviewers expressed they were hoping for a sequel. For me,  there was nothing in this story that would want me to read any more.

Rating: *

Read Full Post »

Phases of GravityI read this book because I found it in one of my many boxes. This is the first book by Dan Simmons I have read, and probably the last one.

First published in 1989, a few years after the space shuttle Challenger catastrophe, Phases of Gravity is a speculative fiction novel – not science fiction, like the book cover and jacket text might suggest.

Richard Baedecker is a former Apollo astronaut who walked on the moon 16 years before the story unfolds. His crewmates were Dan Muldorff and Tom Gavin, two more fictional astronauts. It’s not clear which mission they were on, but it sounds like Apollo 14 or 15, thereabouts. There is mention of real astronauts, like Armstrong, Aldrin and many others that we remember from the Apollo program.

Dan Simmons must know astronauts since he can describe their lifestyles and attitudes quite well. His descriptions work and paint a fairly clear picture of what is happening. But that’s the only good thing about this book.

Baedecker is clearly in a mid-life crisis, and the story is full of stereotypical behavior of a 50-year-old man whose glory days are 16 years in the past. What do you do for an encore after you walk on the moon?

He comes home and drifts. He gives speeches, but he doesn’t care about the content or the audiences. He wants a Corvette. He travels to India to visit his son in an ashram. He tried to repair the relationship with his son that has suffered a lifetime of neglect. He has a tryst with a long-legged girl half his age that does not like to wear a bra. He visits a fellow astronaut who also never got a grip on his life and became a born-again Christian evangelist to escape the void. He goes on road trips to nowhere. He chases the girl and we wonder what she sees in him. He flies an old helicopter even though he hates flying helicopters.

All this is told without any discernible plot. Nothing really happens in this book. The timeline is messy. The story flashes back to the time when he trained for the Apollo mission. We are on the Apollo mission. We are in the present. We are a few years back. There is no good pattern to how the timeline flows, and I found myself often confused as the reader when I had to figure out, from one paragraph to the next, where and when Baedecker was now in this scene.

The structure of the novel does not work. The protagonist is a washed out middle-aged guy with nothing to live for and nothing interesting going for himself, trying to live off the four days on the moon a long time ago. Perhaps this is the plight of the moonwalkers. I don’t know.

But even if it’s real, even if Apollo astronauts didn’t know what to do with their lives after they returned, it does not a story make.

Rating: *

Read Full Post »

Dean Koontz published his first novel at the age of 23. He was so prolific that he used more than ten pseudonyms, writing as many as eight books a year, in different genres. Early on his books were science fiction, but soon he went into supernatural and horror fiction. Today Koontz is the 5th highest paid writer in the world, tied with Grisham, making over $25 million a year from writing.

I read a number of Koontz books some twenty years ago. He is a master story-teller and suspense builder. All his books start out with a bang on the first page, something bad starts happening to the protagonist right away, and it just gets worse, page after page. Koontz does not give the reader a break. The villains are relentless, brutal, creepy, eerie or scary. The protagonists are always regular guys, living in suburban Orange County, California, and weird stuff happens to them.

The warning I have about Koontz books: Beware of picking one up, because you can’t put it down.

However, I broke my Koontz habit a long time ago after maybe a dozen of his books, none of which I can remember now. There is never any redeeming literary value or philosophical message. Koontz writes to entertain, captivate and – to make money. He does that very well.

After reading any Koontz book, I found myself putting down the book, convinced that I had a good time, I was entertained, but I learned absolutely nothing. There really was no reason for reading the book other than pure, mindless entertainment.

Which brings me to Time Thieves. Copyright 1972 tells me it’s one of Koontz’ early books. It’s no longer in print and you probably won’t be able to find it anywhere but in used bookstores. The title caught my eye. The cover is completely silly, has nothing to do with the story, at least from what I can tell, but reminds me of vintage science fiction of the 1960 and 1970 decades.

The protagonist  is Pete Mullion, a photographer and design man by profession who is working on fixing up his cabin in the woods in his spare time.  One time he disappears for twelve days and doesn’t remember anything about what happened to him during the “black out.” The story tells about how he and his wife try to figure out what happened to him. As he struggles to put things together, he figures out that he is being followed and watched. As the story winds on, there are robotic humanoids that try to catch him, and alien minds who attack him telepathically.

Remember what I said above: Common, normal guys experience really weird stuff in Koontz books, and there is more and more action in every paragraph as you turn the pages. That’s going on in Time Thieves.

I must admit, I had a hard time reading this, despite Koontz’ skill of drawing the reader in. I kept going because it was very obvious I was reading the oldest, earliest Koontz book I had ever got my hands on, long before his breakout book Whispers, and I wanted to see how he wrote early on.

Fortunately is was not too long.

Rating: *

Read Full Post »

This is a short-story sized novella I was able to read in a few days  in short sessions over breakfast mostly. The Frozen Sky is a science fiction story that plays on Europa, the Jupiter moon that is covered with ice and presumably has a liquid ocean deep beneath the ice. The story speculates about what might happen when humanity encounters the first intelligent extraterrestrial species. Hint: A lot can go very wrong.

The Frozen Sky, for being such a story story, was very fractured and too difficult to follow. Carlson could have easily worked this to be three of four times as long, put more care into a structure that was easier to follow and less confusing. There was also much he could have elaborated on.

To put it into art or painting terms: The Frozen Sky might be a sketch with pencil of paper of a painting that is yet to be. Not enough for me.

Rating: *

Read Full Post »

The second book of the Change trilogy by Stirling, following Island in the Sea of Time.

Good:

Stirling must have done deep research to write this trilogy. I learned a lot about the Bronze Age, how people lived then, thought, loved, feared, raised their families and how they died.

Stirling develops colorful and multi-dimensional characters that I could see and emphasize and identify with.

The underlying premise of a 20th century society (a small town’s worth) being thrown into 1250 B.C. and having to cope is a fascinating “what if” question and the development of the story, from the first through the second book, kept me turning pages without rest.

Bad:

There was not enough new material here compared to the first book. The battle scenes went on too long andwere too explicit. After a while they simply got boring. Stirling could have made the first book 100 pages longer and he would not have needed the second book.

To build on that thought: Each book in a trilogy must stand on its own. Clearly the author made an effort to give enough background to make this possible, I don’t think anyone that did not read the first book could have made too much sense of the second.  I would suspect that any reader that did not read the first book would be lost and would abandon this within the first 100 pages.

Ugly:

There was somewhat of a start of the second book, but there was no end. Somehow the story just fizzled out in the last 50 pages. There was the beginning of a climactic war between the rebel Walker and the Republic, along with the various middle eastern alliances the Republic had forged, but the war didn’t finish – or did I miss something. Ok, I know there is a third book, and I presume it’ll pick up after the second, and the whole thing will eventually get resolved. But then, why three books? Why didn’t Stirling just write one massive epic a la Pillars of  the Earth and be done with it?

This is not a trilogy. This is three books strung together.

Going Forward:

I have already bought the third book, so I am pretending that the second isn’t really done, and I am just going on. Since the books were written starting in 1998, with intervals of a year or so between them, the original readers must have been frustrated, having to wait a year to know what happens next. I can just go right on.

If I had not made the investment of  time of reading the second book, I would probably stop and not bother with 2 and 3 now.  But at this point, I want to know how it all gets wrapped up. If Stirling wraps this up, I’ll probably read other Stirling books in the future. If he does not wrap it up and leaves me hanging, I’ll probably be done.

But now – on to the third book.

Rating: *

Read Full Post »

Like our first kiss and the birth of our children, we remember forever the first book we read in a new language.

My first German book was Die Smaragdenstadt, a story about a group of children traveling to an Emerald City. It was the first “chapter book” I read when I was probably seven years old. I remember how proud I was when I had finished it.

My first English book was Helter Skelter by Vincent Bugliosi. I was a foreign exchange student in an American high school, and I don’t know why I picked that book of all books to be my first. It kept me reading, I kept turning the pages, and I looked up words incessantly in my German-English dictionary. I learned.

My first Spanish book was Once Minutos by Paulo Coelho. It’s a paperback of 242 pages. I bought it in the beginning of December 2009 on a trip to Oakland, and it’s taken me until now to finish it, much longer than I thought it would.

Why did I pick Once Minutos?

The author, Paulo Cuelho is also the author the the bestseller El Alquimista (the Alchemist), which I had just read about a year before. The Alchemist is a fable-like story of a shepard getting life lessons during an impossible journey. The language was simple, the story more like a children’s book. So I thought this would work well for my entrance into original Spanish literature.

In hindsight, the choice was not such a good one. First, Coelho is not Spanish, he’s Brazilian, so I he writes in Portuguese. The Alchemist actually has the Guinness World Record for the most translated book of all time (67 languages). So much for my choice of an original Spanish writer.

Once Minutos (Eleven Minutes) is the story of Maria, a girl born in Brazil.

Érase una vez una prostituta llamada Maria.

There once was a prostitute named Maria, the book starts. We follow Maria through her early childhood in a backwater town in Brazil, her first unreciprocated love for a boy in elementary school, her growing up. Eventually she wants to see the wide world. She is swept up by a Swiss disco owner who is exporting exotic Brazilian girls to his Geneva clubs for Samba dance troupes. Maria becomes lonely and disillusioned and figures out quickly that she is an indentured servant with no way out of her situation. It does not take long before she becomes a prostitute. Her goal, however, remains to make enough money to buy a hazienda for her and her parents in the country in Brazil, find a husband, have children, and live happily ever after.

The “Eleven Minutes” is about the time it takes for the average couple for a love-making session. That’s all. Everything leading up to it, and down from it, is not relevant. The whole world revolves around the Eleven Minutes.

Eleven Minutes is by all means a sexually explicit novel.

Aquello era el dolor y el placer, el mango del látigo presionando el clítoris cada vez más fuerte, y el orgasmo saliendo por la boca, por el sexo, por los poros, por los ojos, por toda su piel. (pg 166)

You don’t need to know Spanish and I don’t need  to translate for you to get the gist of what this is about.

Maria discovers her sexuality, not through her job as a prostitute, but rather through a few men that teach her, through trantric teachings, through sadism and other exotic techniques.

You’d think that this would  be an interesting  read for me as my first Spanish book. If I were 15 years old, the age I was when I secretly bought Fanny Hill, as all my friends did, and read it hidden from parents, siblings and friends, I would enjoy Once Minutos. It’s written for young people that want to read about sexual coming of age. But for me, call me jaded, call me grown up, place me past my sexual prime, it was flat-out boring. I was not interested in reading about a girl and her clitoris. I chucked about sentimental musings about making love and the merging of not just two souls, but the completion of the universe.

Al mismo tiempo que sentía su sexo dentro de mí, sentía también su mano en los senos, los nalgas, tocándome como sólo una mujer sabe hacerlo. Entonces entendí que estábamos hechos el uno para el otro, porque  él conseguía ser mujer como ahora, y yo conseguía ser hombre como cuando conversamos o no iniciamos en el encuentro de las dos almas perdidas, de los dos fragmentos que faltaban para completar el universo. (pg 235)

Yeah, right!

Since the subject matter was not all that interesting, since it was not a page turner, but it was work going through this book, I didn’t look up as many vocabs as I should have, I skipped some sentences when I knew Coelho was waxing poetic and I didn’t give a damn, just to get on with it.

If you are a high school kid, like I was when I read Fanny Hill, go get Once Minutos in Spanish, if you’re learning the language, and you can read smutty stuff right in front of your parents. You will enjoy it.

If you are over 25, and you want to learn all the names of the body parts and many Spanish words for breasts, this is the book. I probably increased my vocabulary by 300 words. I doubled my reading speed in Spanish. I met my overall objective. Now, for the next book, I have to pick something adventurous, something I am actually interested in, perhaps history in the Caribbean, something about pirates, to get me through it faster.

Maybe Don Quixote, the greatest novel in the Spanish language? Nah, that comes later. After Ulysses.

Rating - One Star

Read Full Post »

I lost no time reading the third book of the Fourth Realm trilogy by John Twelve Hawks. Now I am asking myself why I read these three books and kept turning the pages. I actually don’t think that the books are that good or that Twelve Hawks is that good a writer.

First, I should note that The Golden City is the first book that I read on my Kindle. For the first time I do not have the satisfaction of placing the book on the top two shelves in my den, the “books already read” shelves. There is nothing to put there. It’s digital only. But that’s another blog post entirely.

Second, if you check my reviews of the first two books, The Traveler and The Dark River, you’ll see how I criticized the writer and rated the books two stars and one star respectively. The Golden City will also be one star.

As I said already after the second book, the author should have combined the three into one. It would have been a more consistent story that stood on its own feet. It would not have required awkward regurgitation of background that the reader of the preceding books already knew. And the more I think about, the less I believe that anyone would pick up The Dark River or The Golden City and make sense of them without first reading The Traveler.

The Golden City was disappointing. Just as the author left things unraveled after the first, and particularly after the second book, he didn’t bother to completely tidy up after the third one.

Spoiler alert — I am giving plot information away and if you are going to read The Golden City, stop reading this review now.

I can’t figure out why he called this The Golden City. Yes, there is a strange ‘city’ of buildings in the Sixth Realm that has golden towers. However, the story about the city is shallow, the description vague, and the entire chapter is uninteresting.

Matthew, the father of the Corrigan brothers, finally appears in the flesh for the first time in the trilogy, but rather than being the sage, the father of all Travelers, he is basically a self-absorbed and possibly senile old man with nothing to say but trite drivel in his first conversation with his son in twenty years. Gabriel’s comments to his father are wooden, silly, juvenile and totally unrealistic. When reading that chapter, the book lost me. There is better prose in Reader’s Digest. That whole scene is about as wholesome and satisfying as a sandwich and fries at Burger King. At the end we find out that Matthew finally died, but we don’t know about the circumstances, and frankly, we don’t care.

The final conflict between Maya and Boone, the cold-blooded killing machine of the brethren, is so vapid that I was almost exasperated. Just before the final battle, we find out why Boone is what he is. He lost a daughter at a shooting at her school some years before. Boone is the man who killed in cold blood innocent people in all three books, the man who killed Maya’s father by having his eyes eaten by ferrett-like animals trained to hurt and kill. Maya has him at gun point and they have to travel out to the desert. She intends to kill him once he takes her there. But at the last minute, just before she pulls the knife, she changes her mind and gives him a handgun. The modicum of characterization that took place in these books focused on Boone, and how he was a completely cold-blooded killer who wanted nothing more than to eradicate the Travelers and Harlequins. And here she gives him a gun and presumably trusts him. RIGHT.

Hollis becomes a Harlequin, which is not much of a surprise. Linden and Maya actually accept him into their brotherhood.

Maya is pregant with Gabriel’s child. This is significant, since they presumably are in deep love. The child is likely to become a Traveler, and with so few left, that should be a really big deal. Yet she never tells him. The story ends before the child is born. Gabriel never knows. In a plot with so many holes and so many shallow side paths, something as significant as a new Traveler does not really make much of a difference.

Alice Chen hangs with the Harlequins and we sense that one day, she too, will be a killing machine like her role model Maya.

Here is the worst. The overriding conflict of the trilogy is the polarization of the Corrigan brothers. Michael joins the dark forces and spreads evil and killing throughout the world. Gabriel is the savior of  the world. At the end, it seems like Gabriel makes a signifcant dent into the plans of the Brethren, but he certainly in no way eradicates them or their threat. Like the war on terror, this war can’t be won. But incredibly, we don’t find out what happens to the brothers. Toward the end of the story, they both confront each other and slip into another Realm. We briefly follow them there. At the end of the story, months later, Hollis, Alice, Maya and their friends are all well and happy, and we know that the two Travelers have not come back. What happened? Have they won? Where are they trapped? The conflict is not resolved.

I wonder why I kept reading. I wanted to know what happens next, but nothing much happened next. Somehow John Twelve Hawks, who is an awkward writer at best, kept me reading, and got me to buy all three of his books. I would not do that again if I were starting over. He is a marketing genious.

Rating: *

Read Full Post »

This is the second book of the Fourth Realm Trilogy. The first one was The Traveler.

The story carries on where The Traveler left off, but the way the author maintains the continuity struck me as awkward. It’s a trilogy, I get that. Each book is some 400 pages long. When the author tells about a character that we should know from the first book, he has to reintroduce the character in the second book, and then give some background, so any reader who did not read the first one has a chance of understanding the story. That’s okay for characters, but for concepts it gets tedious.

After reading the first book I knew what a Traveler was, and a Harlequin, and the Tabula, and the Brethren. I knew the mechanics of the various Realms and how to travel back and forth between them, the possibilities and the limitations. It simply struck me as awkward to have to hear about it all again.

Also, the end of the first book, I remember, was abrupt. The end of The Dark River was not just abrupt, it was jarring. Gabriel, the main protagonist, stepped back from the First Realm (think of our vision of hell) into his current body, lying in a shabby room in London. Maya, the main Harlequin, was trapped in the First Realm with seemingly no way out, in the middle of a sword fight, surrounded by a whole group of very bad guys with clubs and knives. Her Roman friend Lumbroso, who helped her get to the First Realm, was left in Ethiopia, waiting for Maya to return. Hollis Wilson was left in the middle of a battle with Tabula mercenaries in which Mother Blessing was killed. The book stopped mid-action, without all the major conflicts resolved.

The third book is titled “The Golden City.” I need to get it and read it. It’s out in hardcopy but won’t be released in paperback until July.

I was not satisfied with the ending and resolution of the second book. The author wanted to make it stand-alone, and he went overboard in the beginning to do that, and he didn’t tidy up at all at then end. The Dark River makes little sense without reading The Traveler first. If anyone were to pick it up without knowing The Traveler, they simply would not get enough out of it. The way the author left it, I need to read the third book to tidy things up.

I think Twelve Hawks would have done better if he had simply strung the three books  together into a 1,200 page Stephen King-esque story and sold it as one book. He could have left the awkward stuff out, and he could have focused on telling the story.

To give him credit though, I kept reading. And I will buy The Golden City, but not as a hard-cover. That would be too much of an investment.

Rating: *

Read Full Post »

Older Posts »

%d bloggers like this: