Jeff Dolan works for a private space firm as an astronaut. The CEO is a young entrepreneur, and his general manager a shrewd operator. There are also other private competitors. NASA is only a shadow of its former self. Now they are on the way to the Saturn moon Titan. It’s a race.

Shortly after departure from earth, a terrible technical accident occurs putting the entire mission in jeopardy. They manage to salvage the ship and continue to go to Titan. Eventually they figure out there was sabotage and the company apparently is putting more value on the mission than their lives.

Once they get to Saturn, they quickly discover that “something” is already there, something apparently not man-made.

Mission One is a first-contact story.

Generally I love first-contact stories, but this one has so many flaws, it didn’t work for me.

*** Some spoilers after this ***

The company’s CEO is being blackmailed by the general manager, who basically hires a swat team and takes over the company at gunpoint. That’s just not how business  works. The writer apparently has not worked in an entrepreneurial company.

The spaceship has a limited amount of fuel. Fuel is being calculated all the time in this story, particularly after the malfunction. But it seems to be all about what they call “major burns” which suck away all the fuel. So they are planning on coming home from Titan with one major burn left in the tank. Somehow they never seem to care about deceleration. The ship goes to Titan in record time but does not seem to have to decelerate there. The ship uses up its last major burn coming home from Titan. How does it slow down when it gets to the halfway point?

You might say that’s not so important. I agree, it could be excused, if the ship were to be a Starship Enterprise-type ship with basically magic technology. But this story presents itself as a science-based science fiction tale, but its science does not hold water whatsoever. In contrast, Andy Weir does a great job in The Martian and Project Hail Mary in that regard.

Another plot component is related to the distance between Saturn and Earth, which is currently around 88 minutes. It varies widely depending on the position of the two planets in their orbits. However, no matter how far, it’s a long time and you can’t have any real-time communication. However, conveniently, once they are within reach of the alien artifact in orbit around Titan, they have instantaneous communications between Earth and the ship in orbit around Titan. Somehow, the artifact makes this possible, and nobody seems to be surprised about that. Again, magic technology that just does not make sense in this context.

Overall, there is nothing wrong with using magic technology to build a plot, if it’s done right. In this case, it just never made sense and I felt that the magic was too distracting to be convincing, and it constantly reminded me that I was reading a book. I never got into the book.

Trident’s Forge is Book 2 in Tomlinson’s series Children of a Dead Earth. Just yesterday I reviewed Book 1 here.

I wasn’t going to read the sequel, since the original book, a generation ship story, wasn’t all that exciting. However, the author roped me in with a few teaser chapters at the end of Book 1 and I read it anyway.

In Trident’s Forge, we meet the characters from The Ark again about three years after landing on the planet they call Gaia orbiting Tau Ceti. Mankind has gained a tenuous foothold. But on another continent on the planet, there is already a sentient race, they call them the Atlantians.

These aliens are slightly larger than humans, but humanoid with a head, two arms and legs, and very pliable, seemingly boneless bodies. It’s kind of strange that the author didn’t do a better job of describing how the aliens look. In my mind, they were simply big, gangly humans from the Bronze age.

Trident’s Forge is a First Contact story, albeit not one of the better ones I have read. The aliens are just like humans, with the same emotions, feelings, even reflexes. Other than looking a little different, and speaking a different language, they are just humans in costumes, and as a result, not very intriguing as aliens.

The story is another conspiracy story. Humanity has brought its worst attributes with them, including the greed of the elite class that will do anything to get rich and powerful at the expense of everyone else, including an entire sentient race. It’s a fast-moving story, quite readable, but unfortunately not very memorable.

I won’t be reading Book 3, even through I thumbed through the teaser chapters. There are too many other books on my reading shelf, and there is too little time left.

Earthbound is the third in Haldeman’s “bound” trilogy. The first two were Marsbound and Starbound, which I have recently reviewed. I gave them only two stars and one star respectively, and usually I would not read any more books of a series that I rated so poorly. But I made an exception with Earthbound, because I wanted to know what happened next.

In Marsbound, the protagonists traveled to Mars, found Martians, came back to earth orbit quarantine, discovered an alien race with seemingly godlike powers, and were attacked by these aliens.

In Starbound, a group of seven humans and two Martians were sent to the star of the aliens, 25 lightyears away, as ambassadors for the human race. They got there and came back, but not much happened otherwise.

In Earthbound, the group that came back from traveling to and from the alien star for more than 50 years, who had aged only a few years due the time distortion factor that applies at relativistic speeds, found itself stranded on a military base in California. The evil aliens had turned off everything electric in the world. It’s not explained how they did that, and it’s certainly not clear what alien reasoning has made them do that, other than they don’t like other races who can become dangerous by acquiring technology. So Earthbound is really not a science fiction story anymore, but an Armageddon tale of survival in a world that has been thrown back to the technology of the 1800s, however, with a supply of guns and ammunition available in the late 2100s.

Nothing much happened in Earthbound otherwise.

Starbound picks up where Marsbound stopped. Humanity has decided to send a starship to Wolf 25, the home world of The Others.

The starship uses the “free energy” concept provided by The Others through the Martians to create a matter – anti-matter reaction engine. However, for that it needs reaction mass, which it obtains from a large ice asteroid. The asteroid is large enough to provide mass to travel the 25 light years to Wolf 25 and back with mass to spare. The ship accelerates at 1g all the way to the half-way point, at which time it will have reached more than 90% of the speed of light, when it turns around and then decelerates for the second half of the trip. Due to the relativistic speed, the crew will only age 6 years during the more than 25-year journey.

They should be able to meet The Others, and come back, all over the course of a little more than 12 years in their own lives, while more than 50 years will have passed on Earth.

Along the way, unexpected events change their plans and the “meeting” with The Others is not quite what they expected.

While the premise is exciting, and the first journey of a crewed trip to another star could be exciting, the author does not take advantage of the opportunity. There are conceptual problems with the plot, and the story-telling is stilted.

There are some concepts that just don’t make sense. For instance, the ship accelerates at 1g for half the trip. However, anyone studying relativity and doing the pretty simple math will realize that, from Earth’s frame of reference, if you’re accelerating at a constant rate of 1g, then you would reach near the speed of light in about one year. Why keep accelerating after that, particularly when there is a significant plot point about the Martians really suffering in the 1g Earth-standard gravity. They could have turned the engine off after one year, and they would arrive only very marginally later, after turning the engine on for braking again one year out. The whole thing just didn’t add up.

Another massive plot hole is that the entire premise is that the limit of the speed of light affects all races, including The Others. They can’t travel any faster than anyone else. However, somehow they are able to cause terrible destruction to humanity seemingly instantaneously, as the plot of the story will tell.

Yes, you may say this is science fiction, and the author has to right to make up the technology. But this does not work if on one side the author goes to great lengths building a world around the limitations and effects of general relativity, but on the other hand seems to break those rules in deus ex machina fashion all throughout the plot.

Finally, let’s talk about the crew. Humanity sends seven humans and two Martians as the world’s ambassadors to another star to meet a known very hostile race. Leaving the two Martians alone, the human crew consists of two married couples. The first are Carmen Dula and Paul Collier of Marsbound. The other are Meryl and Moonboy, the two xenologists of Marsbound. Then apparently to make things interesting, they add a triad (marriage of three) with two male “spies” and their mutual wife, Elza, who is a medical doctor who also happens to be a nymphomaniac. This causes all sorts of friction as she sleeps her way through the crew within the first few weeks. Why in the world would humanity set up a team of star travelers who would be cooped up in a spaceship tin-can for 12 years and not make sure there will be sexual stability for the journey? I assume it’s for plot purposes, so there is plenty of sex sprinkled into the story. I might add that the sex really does not work in this story.

The author also applies a strange concept of using three different narrators, switching between chapters. One is Carmen, the other in Namir, one of the spies, and the third is Fly-in-Amber, one of the Martians. I don’t see why that was necessary, as it didn’t add anything to the story as far as I could tell. But it was confusing, since I had to figure out who was talking every time a new chapter started with the protagonist speaking in the first person. He could have put the name of the narrator into the chapter title and made it a little more straightforward.

Starbound is a tale with a lot of possibilities, but those are completely wasted. Haldeman is a good story teller, and I enjoy his novels, but this one is just too poorly crafted and constructed, with a far-fetched a plot that I simply was not able to buy into.

The only other Brunner story I ever read was Lungfish, and here is my review.

Brunner wrote A Maze of Stars in 1991.

Somewhere, sometime in the distant future, humanity has left its birth world, Earth, and developed a starship with a mission of seeding new planets with humanity. After initial robotic missions, “the Ship” takes a load of humans and seeds about 600 planets in “the arm of stars” or just called “the Arm.”

There are about six hundred thousand stars visited by man, and sixty thousand have planets hospitable to life, six thousand have developed life and six hundred have been seeded with humanity. Only about 60 of those are fairly successful, and most of them are in some state of devolution.

The Ship is artificially intelligent and has become sentient. It’s been about 500 years since the planets were seeded, and the ship is on an endless loop, visiting the planets clandestinely and observing the outcome. The only problem is, the ship’s jumps through hyperspace, called tachyonic space in this book, result in various jumps in time in addition to space. The ship can’t control the time jumps. So it sometimes “remembers” the future of a planet it is visiting, because it has been there “before” which was far in the future.

Are you confused yet? I certainly was.

A Maze of Stars has a solid and interesting premise, basically observing what happens to humanity in adverse conditions, left to its own devices. Each planet is different. The ship visits the planets undetected, and it has this amazing technology that it can project itself as a realistic human being on the planet itself and interact with the people. It can also “remote view” scenes on the planet and be an observer. Finally, it can show such remote viewings to its passengers, sort of like an immersion movie.

One interesting premise is that most of the planets are hyper-concerned about germs, diseases and viruses that might come from other planets that they have no defense against. Much of the inter-planet trade or exchange is therefore blocked by the various planets, and interaction is severely minimized.

All of this sounds very interesting, but Brunner has made it completely boring and a real slog to read. Nothing happens. The ship simply visits one planet with a weird name after another. We observe pointless vignettes of action by cardboard characters that appear in one chapter only to completely disappear in the next. There is no story, there is no plot, there is no common thread, there is no suspense. And when there is an opportunity to make it interesting, Brunner misses it. For instance, he describes weird mutations but does not “describe” them leaving the reader helpless. He mentions exotic extraterrestrial animals, but does not even attempt to describe what they actually look like. And there are no sentient aliens in this story, even among 600 seeded planets – not one intelligent alien culture that has productively interacted with humanity.

A Maze of Stars is full of interesting concepts, each worth a book of its own, but none of them explored in any detail. The printed edition of the book was 393 pages long. I read the Kindle digital version, and it seemed like two volumes of War and Peace back to back – endless. It slowed down my reading and made me thirst for novels that actually have some plot, some story that keeps turning the pages.

Humanity has created an empire that spans many stars and planets in the nearer galactic neighborhood. Jeff is the executive officer on a warship with a crew of ten. The ships have faster-than-light travel capability. They emerge near their targets at speeds close to the speed of light, unleash their planet-destroying bombs and then, hopefully, speed up again into hyperspace to escape. But the defenses are just as lethal, and Jeff’s ship is the only one of a squadron of five that survives the attack, albeit seriously damaged.

They manage to find a nearby object they think is an asteroid and perform an emergency landing on it. As they approach, they realize it’s not an asteroid, but a giant alien ship with a diameter of 600 miles. Having no choice, they land on it and are admitted inside.

The ship’s artificial intelligence speaks flawless English. It claims it has been intercepting human media transmissions for centuries and has had the opportunity to learn the languages and the cultures. The ship promises to take them home, but the journey would take six months, due to the limitation of the hyperspace travel capabilities of the vessel. The crew takes this opportunity to explore the ship.

It does not take long before they discover the first of them killed in a most gruesome manner. As they search further, they find ancient secrets of horror that threaten not only them, but all mankind.

The Dark Ship is the second book by Phillip Peterson I have read. The other was Flight 39. Peterson writes originally in German and his books are translated. The translations are good and I see no reason why I’d want to read his books in the original German. Peterson knows how to tell a story.

In the case of The Dark Ship, which is much more of a hard science fiction book than Flight 39 was, I was distracted by the fairly lax application of building a reality. Most of the technology applied seemed magic, and I am not talking about the alien technology.

The human space ships seem to travel at relativistic speeds on their missions between hyperspacial jumps, yet there seems to be no effect of time dilation on human society. The fact that a crew would return home decades after it left for a mission is completely ignored. It’s not necessary for the plot in this case, but it just made the story unreal. When the ships travel near planets and stars at speeds approaching the speed of light, there is no mention of how the ships protect themselves from the space dust and other debris that would be intensely thick near a planetary system, making such speeds impractical or impossible.

On a smaller scale, they use seemingly magical military space suits with apparently endless energy supplies. Since the inside of the dark ship is dark everywhere, they rely on their flashlights or headlamps for light, and those, too, seem to be powered with endless power supplies. I could go on and on with examples like this. None of those examples take away from the story line, but for me they made the experience unreal and there is too much deus ex machina going on for it to seem realistic.

The story itself revolves around the crew finding the truth about the alien ship and its ancient mission. To do that, they go on a journey to the interior of the ship. Remember, at a diameter of 600 miles, it’s a 300 mile journey – on foot. That means there are lengthy passages of corridors and more corridors that the crew has to travel down with not much going on to move to plot forward. That makes the book somewhat of a tedious read.

In summary, The Dark Ship is a reasonably entertaining science fiction story, but not one I would want to read again or one that would entice me to read more books by this author.