Life is like a hen house ladder. Shitty and short.

This quote is by Paul Hunham (Paul Giamatti), a teacher of ancient history at the Barton Academy, a New England boarding school for boys. Nobody likes Hunham. His students hate him for his rigidity, his fellow faculty members find him pompous, and the headmaster despises him. And he smells.

It’s Christmas 1971. All the students go home for the break to be with their families, but there are always a few that can’t go home for various reasons. Angus Tully (Dominic Sessa), a misfit 15-year-old, gets a call at the last minute from his mother who scheduled an impromptu honeymoon with her new husband and does not want him with her. Hunham is assigned by the headmaster to stay at the school to chaperone the holdovers. There is also Mary Lamb (Da’Vine Joy Randolph), the school’s head cook, who also has no place to go since her only son just died in the war in Vietnam and this is her first Christmas alone.

The unlikely trio has no choice but to come together and make this work for two weeks over the holidays. Whether they planned it or not, they get to know each other, and learn each other’s deepest secrets. In the process, they bond and learn life lessons and all realize that whatever happened in the past happened, and their future is in front of them.

The Holdovers is an emotional holiday movie, a little like The Breakfast Club from 1985 – could it really have been that long ago? – where a group of people of completely different backgrounds is thrown together and eventually create bonds.

As the first world war unfolded, which was then known as the great war, since they didn’t know there’d be a second, Germany’s propaganda machine recruited its young men as soldiers. A group of teenagers enlist voluntarily in the army, their faces full of fervor and optimism. But those preconceptions about the honor of war crumble very quickly as they see their first conflict and they realize they put themselves into a situation where it does not appear there is a way out. The hopelessness, the utter despair, the terrifying fear consume the boys as they are falling, one by one. In the end, when an armistice is negotiated by the brass, riding in luxury train cars and sipping wine, the boys are sent out one more time in the last 20 minutes before cease fire.

This movie has been made twice before. The other two are Lewis Milestone’s All Quiet on the Western Front (1930), and the lesser-known version by Delbert Mann, All Quiet on the Western Front (1979). This current rendition is supposedly the most expensive German film in the history of Netflix. My wife loaded it up and we found it is a German film, dubbed in English. Which, of course, was better for her, but I would have liked to watch it in its original language. Yet I don’t think I can do it again, it took too much out of me.

The uselessness and injustice of war depressed me, as many war movies will do. Every leader who is in a position of sending other people’s children into harm’s way should be required to watch All Quiet on the Western Front. This happened in 1917, and a hundred years later we still haven’t learned these basic lessons.

Of course, the irony is that the French won that war and forced the Germans into reluctant submission. They ended up signing an agreement they knew they ultimately could not accept. We all know that a young soldier named Adolf Hitler was also a grunt in that war and experienced the humiliation of Germany first-hand. It lit up a fire in the chest of that young man, and we all know where it ended.

In March of 2021 I watched a movie titled A Man Called Ove. It was a 2015 movie in Swedish, with English subtitles. I gave it four stars. Here is my review. 

One of my readers at the time commented that there was a Tom Hanks adaptation on the way, and here it is.

This review is difficult to write because I could just copy the Ove review here. It follows the script that closely.

Otto (Tom Hanks) is 59 years old and lives alone in a housing development somewhere in the northern United States, judging from the snow. He loses his job by a forced retirement program. His wife passed away from cancer six months before. He grieves badly and visits her grave every day. He has no relatives or children. He is the self-appointed master of the condominium association of his little community. He does not care about the official roles, and he rules with an iron fist. Daily rounds include checking whether the garbage recycling is done correctly and whether gates remain closed. Driving of any type in the community is forbidden, and leaving a bicycle out is a serious infraction. He is a true curmudgeon and the essence of a grumpy old man.

One day new neighbors move in across the street from his place. Marisol (Mariana Treviño) is from Mexico.  She has two young daughters,  and is pregnant with her next. Her husband is the opposite of handy and has difficulty even driving a car. Otto has them in his sights immediately.

Otto is seriously depressed and he attempts suicide several times in the movie, only to be interrupted by Marisol and her family. An unlikely friendship develops, and gradually he gets drawn back into a semblance of purpose.

A Man Called Otto incorporates many flashbacks to when Otto was young and his romance with his wife Sonya (Rachel Keller). Interestingly, the actor playing young Otto is Truman Hanks, Tom Hanks’ 27-year-old son.

A Man Called Otto is a well-crafted film about an ordinary man’s life from young adulthood to retirement. While I gave Ove four stars, I am giving Otto “only” three. It is a little awkward from time to time where Ove was nothing but authentic. But it’s a good movie, it draws out a tear or two, and it made me think of “the circle of life.”

You should go and see it.

Lily (Kaitlyn Dever) is 25 years old and just graduated from law school. To reward herself, she and her best friend Wren (Billie Lourd) book tickets to Bali for a vacation “in paradise.” When they get there, Lily falls in love with a handsome young local man – a seaweed farmer. She decides to stay in Bali and marry into the family, and give up her career.

When her parents David (George Clooney) and Georgia (Julia Roberts) get the word, they freak out. While David and Georgia have been non-amicably divorced for 20 years, this news unites them and they make a pact to travel to Bali and sabotage Lily’s marriage. They believe she’s about to make the same mistake they did when they first got married, and they want to save her.

Ticket to Paradise is completely predictable. You know what’s going to happen the minute the movie starts, and you check off your predictions one at a time as the events unfold. But that did not seem to matter to me, and I truly enjoyed the story.

It’s funny, at times emotional, and who cannot like the scenery in Bali – paradise after all!

There is a message that comes through in the end, that has already affected some of my decisions since:

“Why save the good stuff for later?”

To find out what this means in the movie and for you as a message, you’re just going to have to go see Ticket to Paradise.