Norbert Haupt

We all know Oliver Hardy and Stan Laurel as the kings of Hollywood comedy in the 1940s and 1950s. Everyone knows them as Stan and Ollie, or Laurel and Hardy, or, as I knew them as a young boy in Germany in the 1960s, “Dick und Doof.” Their comedy is timeless. It worked for me in this biographical movie today as it worked for me when I was a child.

Stan & Ollie plays in 1953, when the duo went on a tour in Britain. They were older, and carrying their own suitcases was starting to be a challenge. The tour was depressingly slow at first but gradually built into a success. However, Ollie’s health was failing, and their partnership began to show the cracks of age.

What I didn’t know until now was that Stan, who played the feeble-minded of the duo, was actually the creative genius behind their comedy, and the business man, driving them forward to comedy success and financial reward. I enjoyed seeing Stan transform himself from a thoughtful, caring, clever and hardworking showman to a doofus klutz the moment he walked onto the stage, time and again.

Stan & Ollie tells the story or Laurel and Hardy as they come to terms at the twilight of their long and successful career.

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Bobby showed up for his first day at Sullivan Community College in upstate New York in the fall of 1980. As he crossed the campus, checked in for college and went to his dorm, girls came up and kissed him, guys slapped him on the back, and everyone seemed to welcome him. Finally, a friend figured it out. “Were you adopted?” he asked? “You have a twin brother.”

Together they called that brother, Eddie, who had dropped out of Sullivan CC the year before. Bobby and Eddie met soon after and were stunned when they looked at each other. The story made it into the newspapers and the national media. Soon, a third boy in New York recognized himself in the pictures and contacted the paper. Now there were all three of them, David, Bobby and Eddie, with three different surnames, all born on July 12, 1961, separated and adopted by three different families.

The boys and the families didn’t know they were part of a larger experiment. Only slowly did they find out. The debate of nature vs. nurture is central to this documentary.

Three Identical Strangers is a heartwarming documentary about human nature, raising children, and what upbringing can effect in a person’s life. It is a story well told. Initially a feel-good story, it eventually unravels into a dark tale of deception, where the innocent subjects find their entire lives upset, confused and shocked.

In Three Identical Strangers they tell their story to all of us.

Here is an article that provides more background you might read after you watch the film.

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I didn’t grow up as a boy in America, so I didn’t actually know the story of Christopher Robin and his stuffed animals, including the iconic Winnie the Pooh, the donkey Eeyore and of course, the piglet.

Watching this movie has caught me up. It’s a story about the boy Christopher who grew up in the Hundred Acre Wood, access to which is through a magical tree.

The movie is portrayed to be “not just for children” and so The Woman talked me into going to see it with her. Ok, yes, it was heartwarming, not even as corny as I expected it to be, and the acting was actually pretty good.

But I have to say – this is a movie for children – really. It’s about important lessons in life.

Take your kids!

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There isn’t an American alive who has not heard the name Chappaquiddick, an odd name that nobody before 1969 would have known how to even pronounce.

With both of his famous brothers assassinated, Senator Ted Kennedy was the star of the Democratic party and well on his way to the White House. One fateful night, he had too much to drink and went for a drive with a young woman who was an aide to his brother before and whom he tried to recruit. He loses control of his car as he drives off a bridge. The car flips over and end up wheels up in the water.

He comes to in the water outside of the car, but the car is closed, and the woman is still insight, fighting to get out. He tries to free her but is not successful and eventually walks away. It’s not clear to the viewer how this was even possible. But that’s his story.

As the night progresses, he makes a number of mistakes, and by morning, the Kennedy spin machine is in full swing. We witness political power gone unchecked, when his aides start fabricating the reality they need for their wonder boy to continue to have a political future.

Ted didn’t run for president for 1972, like he had planned. American history may have been forever changed that night in Chappaquiddick. Ted ran for president in 1980 but did not succeed. However, he did continue to serve in the United States Senate until his death in 2009. As a senator for 47 years, he was the fourth-longest-continuously-serving senator in U.S. history.

The movie Chappaquiddick tells this mystery story for those of us that never really studied the details, and it gives an inside glimpse into one of America’s most powerful families of the 1960s.

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John Callahan (Joaquin Phoenix) was a 21-year-old alcoholic when he went out bar hopping with his friend Dexter (Jack Black) in his VW bug. Late at night, Dexter passed out and drove the bug into a pole at 90 miles per hour. He walked away with hardly a scratch. John was paralyzed from the shoulders down.

But that didn’t stop him from drinking. He kept at it for another six years before he found himself in a group of Alcoholics Anonymous sponsored by Donny (Jonah Hill).

As he came to terms with his situation he discovered that he had a knack for dark humor and he started drawing cartoons. Eventually he was able to publish them in the local paper in Portland and, while many people were offended due to the nature of his subjects, he found an international following and fame.

The movie is based on the real life story of John Callahan. Adapted by Gus Van Sant from Callaghan’s autobiography, it is a powerful treatment of addiction and alcoholism, and it illustrates vigorously what it does to a person’s dignity and well-being. Obviously most people do not have Callahan’s zest for life and humor, and his luck and skill to pull off a successful career, partly based on his experiences in life.

A couple of observations: Joaquin Phoenix does a remarkable job with this role. Jack Black looks like he gained an incredible amount of weight. I hardly recognized him. And – this is the most remarkable fact – I didn’t even realize that Donny was played by Jonah Hill (see the person on the right in the photo above). He looks so different from his usual roles, he is so much slimmer, it never even crossed my mind that it was Jonah Hill. Now I want to watch the movie again just to observe his performance.

Don’t Worry, He Won’t Get Far on Foot is a powerful movie that is NOT a comedy, as the trailer might make you believe.

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Daniel Plainview (Daniel Day-Lewis) is a hapless silver miner in 1898 in the California desert. One day, completely alone, he falls down a shaft and breaks his leg. By pure chance, he happens upon oil. Relentlessly, he learns the oil business. He raises his infant son, whose mother died in childbirth, by taking him with him to the places where he works. The boy grows up learning the business from his father.

To get the rights to the land where he wants to drill, the sweet-talks the owners to give him permission to drill their land, or to sell the land to him outright. As the years go by, he builds an oil empire, and gradually, power and money consume him.

Over time he makes enemies of all the people around him, and at the height of his wealth and power, he starts battling with his own son.

There Will Be Blood plays in the California desert. After living in California for well more than half of my life, I consider myself a native, and I recognized the natural landscape. Outsiders think of California covered with palm trees. California is mostly desert, completely dry, dusty, rocky, with few shrubs or trees. This movie shows California as it looked a hundred years ago, before suburbs and urban sprawl took over. The hardness and harshness of life comes through, and the frantic search for a way to make a living is in everyone’s eyes.

I found this movie very hard to watch, depressing most of the time, and way too long at 158 minutes. But Daniel Day-Lewis is a master actor, and he carries the film.

I warn you, this is not relaxing or enjoyable, but it is educational.

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Elizabeth Sloane (Jessica Chastain) is one of the most formidable lobbyists in Washington. She is creative, but ruthless, and her reputation and success record indicates that she is ready to do whatever necessary to win. Along comes the NRA. They approach her firm and want her to take a case bolstering the NRA by attracting female voters for the cause. Since she does not agree with this message but rather has the opposite ideological view, she turns them down, and in the process ends up losing her job with her firm. She defects and takes half of her team with her.

Now the battle of her life is underway, where the opponent is the NRA, one of the most powerful special interests in Washington, represented by her old firm. The odds are impossible. But Miss Sloane always wins.

I watched Miss Sloane right after watching Molly’s Game and writing this review just yesterday. The two movies almost overlapped in my head, since Jessica Chastain plays a very similar person in both movies, a very bright, self-assured, articulate, determined maverick woman.

Miss Sloane was released in 2016, but it is a very timely film to watch now as its subject deals with gun control, the power of the NRA lobby, corruption in government as it relates to the Second Amendment. The movement the Florida high school kids set in motion after the most recent school massacre there relates perfectly to the topics Miss Sloane deals with.

Of course, I am not sure if Washington really works the way it is portrayed in this movie, but if it is, it’s frightening. It seemed very realistic to me, except for the remote-controlled cockroaches. You’ll just have to watch to find out what those are about!

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A young Marine gets killed in 2003 in Iraq. His father, Richard “Doc” Shepherd (Steve Carell), himself a Vietnam Veteran, has to go and meet the plane that brings his son’s casket before he is buried at Arlington Cemetery. But Doc can’t do it alone. He travels and seeks out two buddies from his time in Vietnam, the former Marines Sal (Bryan Cranston), who now runs a bar, and Richard Mueller (Laurence Fishburne), who is a minister. He convinces the two of them to accompany him on his trip.

Along the way, they decide they don’t want the son to be buried at Arlington, but rather in his hometown in New Hampshire. Being forced to be together, they reminisce about shared memories of the war. Each has to confront his own demons of the past, of an experience that has shaped their lives, obviously for the rest of their lives.

The insanity of America that keeps sending its sons and daughters to far-away lands to fight for a cause that means nothing to them, and to die for their country in the name of freedom, which is obviously a sham, came out strong as I watched Last Flag Flying. Don’t we ever learn?

In a time when our leaders seems to have less scruples than ever, when they don’t hesitate to send other people’s sons and daughters into harm’s way for political convenience – and money – it is ever more important for all of us to see deep into the souls of those hapless soldiers when they come back, broken, damaged, or dead.

That’s what Last Flag Standing made me think about.

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