Are you watching me now? Watch closely now!
It’s impossible for me to review A Star is Born with Bradley Cooper and Lady Gaga in 2019 without going on a side track about A Star is Born with Kris Kristofferson and Barbra Streisand in 1976. Shockingly, while the Cooper/Gaga movie got 89% on the Tomatometer, the Kristofferson/Streisand version got 38%.
Then I read some of the reviews by the critics, and most of them were written in 2019, about a movie older than some of the critics themselves. Whether the 1976 version is a good or great movie in itself is not relevant to me. When I watched it first in 1976, it was phenomenal. It was one of my coming of age films. I remember clearly who I was with at the time. I had just turned 20 and I was figuring out what makes blood boil. The songs in A Star is Born will forever transport me back into those passionate years of my life. Candles on the rims of bathtubs took on meaning for me that never left me since. For me, A Star is Born was one of my favorite movies of all time. 38% my ass!
So I was reluctant to even go see the 2018 version, lest my memories get confused and polluted. But after all the press and hoopla with the Oscars, and after The Woman went to see it and came home and said it was a great movie and I’d better go see it, we went – I for my first time – she for the second viewing.
The story is the same one. Jackson “Jack” Maine (Bradley Cooper) is a rock superstar with an established career and an alcohol problem. Ally (Lady Gaga) is a struggling artist. They meet by pure chance in a drag bar when Jack stops in for a drink after a performance. He is smitten. She is skeptical. But Jack sees the talent and brings her up on stage at his next concert in a stadium, and when she lets loose with one of her songs, the audience goes wild and the critics swarm all over her. Within just a few months, while he burns in the ashes of drugs and alcohol, she rises like a phoenix. It’s a love story for which we all know the ending, it’s a musical without the corniness of real musicals. The soundtrack is exceptional. The music is all new. And yes, I think the Cooper/Gaga version is as good as the Kristofferson/Streisand version was 42 years ago.
Young lovers will go on and remember this movie for an entire generation. They will own the soundtracks just like I owned the vinyl record of the old A Star is Born for all these years. And my “Are You Watching me Now?” will be their “Shallow” and a new Star is Born.