Movie Review: The Life Ahead

Madame Rosa (Sofia Loren at age 85!) is an Auschwitz survivor who lives somewhere in a seaside city in Italy and runs a business taking care of the children of prostitutes. She reluctantly takes in a 12-year-old Muslim African orphan at the begging of her doctor, who is also the counselor for the Social Services Department that takes care of street kids.

Momo (Ibrahima Gueye) is from Senegal, and is streetwise beyond his age. He robs strangers in the market, and he is a drug dealer under the wings of an adult gang lord. At first, as one would expect, he does not fit into Madame Rosa’s household, with the other kids who live there, and with the adults around him.

But Momo is smart and resourceful, and quickly he turns from victim to protector as he learns the hard lessons of life earlier than a 12-year-old should. As quickly as he calls Madama Rosa’s world his home and family, it starts crumbling around him.

The Life Ahead is in Italian with English subtitles. The director, Edoardo Ponti, is Sofia Loren’s son. The movie was made for Netflix during the 2020 pandemic.

The Life Ahead is completely carried by the two lead actors, Sofia Loren with her powerful presence, and the amazing talent of Ibrahima Gueye.

Here in America we are so inundated with our Hollywood movie formula, we’re not used to hearing other languages and exotic sound tracks, playing in locales that look foreign to us. The challenges of a 12-year-old black orphan from Senegal on the streets of a city in Italy are beyond our everyday comprehension. The movie may not present a culture clash for viewers in Italy, but in our American living rooms, they give us powerful jolts of realities we can’t even comprehend.

After the credits started rolling, I was mesmerized. I listened to the music until it was all done.

I owed it that.

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