Movie Review: Everything Everywhere All At Once (2022)

Why?

This is my whole review:

Why did this movie get made in the first place?

Why did it win any Oscars, let alone seven of them?

Winner
Oscar
Best Original Screenplay
Daniel Kwan
Daniel Scheinert
Best Motion Picture of the Year
Daniel Kwan (producer)
Daniel Scheinert (producer)
Jonathan Wang (producer)
Best Achievement in Directing
Daniel Kwan
Daniel Scheinert
Best Performance by an Actress in a Leading Role
Michelle Yeoh
Best Performance by an Actress in a Supporting Role
Jamie Lee Curtis
Best Performance by an Actor in a Supporting Role
Ke Huy Quan
Best Achievement in Film Editing
Paul Rogers

What the heck is wrong with the Oscars?

This movie has no story or plot of any interest, no redeeming value of any kind, terrible acting, no moral that I could detect, no beauty, no scenery, no score. It is utterly boring and difficult to sit through. I knew after 10 minutes that I really wanted to walk out, but – well – it won seven Oscars so there must be something to it.

Trust me, there is not. It just drags on for two hours and 19 minutes. Half the movie at least are pointless and violent fake fight scenes. After the first few I was jaded and then I faded out.

There was no acting worth mentioning.

And the fact that it got Best Motion Picture of the Year is an insult to any movie made last year, any other movie!

This is the worst movie I can remember ever watching.

Do not bother to see Everything Everywhere All At Once.

It is a complete waste of time.

 

And that means ZERO stars.

Book Review: Roll Back: A Time Travel Adventure – by Richard Reil

In 2012, Peter is a retiree in Snohomish, Washington. He buys an old house and starts fixing it up, when he notices something odd about his shed. One night Peter sees lights out there and when he goes to investigate, he meets Henry, the old man who sold him the house. Henry let’s Peter in on the secret: The shed is a time portal. You set your mind to “when” in time you want to go, and walk through it, and there you are. Simple as that. And thus we have a time travel story.

Peter loses no time exploring the Snohomish of his youth in the summer of 1958. He crosses over almost daily, gets an apartment, buys a car, and establishes an identity there. During a return trip to 2012, his granddaughter Emily notices something weird and soon Peter comes to the conclusion he has to confess. Emily is let in on the secret. Since Emily is only 15 and a minor, they also include Emily’s mom.

For reasons that I can’t fathom, other than making a story, they decide that Emily will take a quarter of high school in the fall of 1958. They make preparations and put the plan in motion. But there is a school bully and he is one “bad hombre” to use the author’s word.

This book is really bad for a lot of reasons, so bad that it is worth pointing it out. There are about 50 reviews with high ratings on Amazon and I just don’t understand how that can be. Half of them seem to be by Snohomish residents who obviously like to read about their cafes, streets and businesses. There is a nostalgic element. But why is this book so bad? I will list the main reasons:

Grammar and Spelling:

The book it littered with grammar and spelling errors, so many I didn’t count them. Here is an example – red highlights are mine.

As we ate, she asked, “Why did I remembered what happened and the other kids didn’t?” I explained, “We kept our memories by returning though the portal. To the other kids, it was like rewinding a tape and recording over it.

There are two major grammar oversights in one paragraph. This might be acceptable to some readers, but to me it’s an insult. I paid $3 for this book. I now have a list of bookmarks of all the grammar and spelling errors that annoyed me enough to mark them. Did anyone at all, including the author, ever read this book before publishing it? Apparently not. But they expect the public to pay for this.

Juvenile Writing:

The book is full of clichés and trite expressions. When the author didn’t know how to describe something, he resorted to some colloquialism. It felt cheap.

Bad Writing in General:

The author does not know how to make a dialog work. There is some dialog, like in the example above, but it’s stilted at best. Since he can’t write dialog, he uses exposition throughout and indirect dialog. For instance, on the same page as the above excerpt:

I gave her a hug and told her I was proud of her and that I loved her. She began sobbing and turned and buried her head in my shoulder as she hugged me back.

Pretty much all the talking in this book is done this way. The narrator says what he said, rather than saying it. Sometimes that works, but this entire book is written that way. None of it is real. The entire book tells us what happened, rather than showing us what happened.

Filler Descriptions:

The book is stuffed with unnecessary descriptions, of what the characters are wearing every day and what they are eating:

She ran to the entrance in her new, knee-length, gray wool skirt that Dorothy had made for her a few days earlier. She had on white bobby socks, her saddle shoes, her white Jansen sweater, a light blue jacket, and a bright blue scarf around her neck. I watched as she ran to the door. It made me tear up a bit when I realized how much she looked like her grandmother had when I’d first met Linda at WSU.

Ok, you get a picture of what Emily looked like that day, but the author does it in every appearance. It does nothing to move to the plot along, just fills pages with words. He does the same thing with food. Every time they eat, and they do a lot of eating in this book, he describes the menu in detail:

As I entered the kitchen, I gave her a hug around the shoulders and asked if I could help. She gave me the chore of setting the table while she finished with the rest of breakfast. It was a wonderful breakfast of fried eggs, hash browns, bacon, toast, and orange juice.

There is nothing special about the breakfast. But why list it? Why talk about every item they eat every time with every meal? If it does not contribute to the story, it should not be there. My estimate is  that the whole book could be condensed to about 50 pages if the author just left out all the filler stuff that has no need of being there. Here is another example:

Dorothy had prepared a great meal. The dinner started with a wonderful salad of lettuce, nuts, raisins, tomatoes, fresh peas, croutons, and blue cheese dressing. The main course was sirloin steaks and baked potatoes—the ones left from the bag I’d purchased at Safeway the day before. They were dressed with sour cream, whipped butter, and bacon bits. Dessert was fresh apple pie à la mode. Dorothy told the kids that she and I had driven all the way to the Monroe Farmers Market to get the apples. They all enjoyed the meal immensely.

This is the author’s attempt to make it seem real, kind of like Stephen King does when he describes details. But he picks the wrong boring details at the wrong times in the story to provide color. The fact that dessert was fresh apple pie à la mode just isn’t advancing the plot. And we don’t need to know all the ingredients of the salad. Really!

Nonsense Plot:

This is supposed to be a time travel adventure, and while there was room for it to be just that, the author missed the chance. It’s basically a nostalgic story in 1958 to pander to Snohomish residents and their memories. He could have just written a period piece. The protagonists didn’t need to step through a portal in a shed from another time to do any of the stuff they did. They could have just lived there and the story would have mostly been the same. The time travel pieces of the plot were very minor, unimaginative and in some cases nonsensical. This was not a time travel book.

In Summary:

I don’t like to blast a book with negative criticism, but in this case it’s necessary. The author clearly didn’t bother to have an editor read the book even once before he started selling it. Why didn’t he ask one of his friends who wrote a Five-Star Amazon review to give him a list of grammar fixes? He could have done that in an hour. This shows me that the author really does not care about the quality of the book, but he does expect us in the reading public to pay money for the privilege.

I read all the way through, because that’s my policy. Some books I just can’t read all the way through. When that happens I don’t give myself the right to actually rate them. I just state that I couldn’t keep going. This book was short enough that I kept with it, even though I suspected it wasn’t going to get any better.

So here goes:

 

 

This is zero stars, by the way. The real stars are gold covered. See some of my other reviews.

Book Review: Mission in Time: An Incredible Time-Travel Story – by Richard Scott

About a year ago I read A Time Before Time, and I said it was the worst book I had ever read.

But Mission in Time is definitely worse. Usually I don’t rate books I don’t finish reading, just to be fair, but this one gets a zero, even though I didn’t get past 25% into the book. By that time, I could not stand it anymore.

A Time Before Time was a time travel book where an astronaut, due to an accident, ends up landing in the Wild West. Mission in Time is a time travel book where two astronauts, due to a malfunction, end up landing off the coast of Massachusetts in 1774. Do those two plots sound similar?

Mission in Time is really bad for other reasons than A Time Before Time, so it warrants discussion here.

The author places two 21st century astronauts into a credible setting just before the revolutionary war in Massachusetts. The story is about how a person with knowledge and experience of today would be able to modify the outcome of the historic events of those days. Since I didn’t read past 25%, I actually don’t know how it ends, and whether the two hapless astronauts ever make it back. I don’t really care enough about them to find out and keep reading.

There are actually a number of excellent and very entertaining time travel stories in which the protagonists end up in the 19th century. Examples are John A. Heldt’s books The Mine and The Show. There is also Hollie Van Horne’s Reflections of Toddsville. Another is Seldon Edwards’ The Little Book. And of course the classic Time and Again and From Time to Time by Jack Finney are probably some of the best in this genre. I gave both Finney books four stars. You should read them.

In all these time travel books we experience how the protagonists get along in the past and enjoy their journeys. How they actually get there, and back again, is not all that important. It just happens through some fictional mechanism, and we accept it.

In Mission in Time however, Richard Scott spends the first five chapters of the book coming up with a “scientific” process that gets the astronauts displaced in time. And that’s where the problem lies. The “scientific” way is so flawed, so obviously silly, it’s distracting and insulting to the reader’s intelligence.

The mission is to have the astronauts travel a couple of years into the future. To do that, they are sent on a spaceship away from earth, and the theory is that the closer to the speed of light they travel, the more they are displaced into the future. Any science fiction fan will know that time dilation theoretically makes that possible. As a ship approaches the speed of light, time slows down on the ship, and relative to the earth left behind, the occupants age more slowly. The “twin paradox” is described in many science fiction stories, and the result is that the travelers who come back have aged more slowly, so their counterparts on earth have aged faster and are therefore older. So yes, the concept to traveling some distance into the future is valid and somewhat plausible.

However, in their trip, something goes wrong with the ship, and eventually the ship exceeds the speed of light. They were taught that if that happened, they would travel to the past, but since it had never been done before, they would not know how far into the past. This travel into the past, requiring a spaceship traveling faster than light, is a concept totally unfounded in physics. The author makes that up to explain how the astronauts eventually end up in the past. He could have just come up with a magic wand that transported them Harry Potter-style, the story would have been five chapters shorter, and actually much better. The reader would not have been distracted by the weird physics.

This is how the author describes to outbound trip:

Once free of gravity and the atmosphere, the neutrino accelerator took over. At first the weak propulsion of the neutrinos was negligible, but in outer space there is no atmosphere, which means no resistance. As the neutrino emissions continued, the ship gradually increased speed. Each second it was going faster than the previous second. After awhile we were really moving. When we’d been in space for about four months (Earth time) we were moving at 90 percent of the speed of light. As I’ve already explained, that was supposed to take us approximately two years into the future by the time we had returned to Earth.

Scott, Richard. Mission in Time: An incredible time-travel journey (p. 26). Winter Island Press. Kindle Edition.

To accelerate from zero to approximately the speed of light at 1g (one gravity) takes approximately a year. This is pretty simple to calculate. To be at 90 percent of the speed of light after 4 months, they would have to have accelerated at about 3g constantly. He describes the little spacecraft they were in:

Our cabin was about seven feet across and 12 feet from front to back. We could leave our seats, but because we were in space we couldn’t even walk in those 12 feet inside the cabin. We could float and pull ourselves about, which we did a lot, but that relatively confining cabin often felt more like a prison cell than the inside of a vehicle that was taking us somewhere to an unknown destination.

Scott, Richard. Mission in Time: An incredible time-travel journey (p. 29). Winter Island Press. Kindle Edition.

It does not sound like there was acceleration going on, just floating. But here it get really interesting:

We were nearing the terminus ad quem and waiting for the side thrusters to go into action. We needed to come to almost a complete stop before the side thrusters were activated. Here’s what blew my mind as we neared that stopping point. At that spot in space we were approximately 1.4 light years from Earth. That’s 8.4 trillion miles. The human mind can’t deal with distances like that. We couldn’t see our Sun from where we were. Not with the naked eye anyway. To put things in perspective, after traveling 1.4 light years from home, we were still in our own galaxy, the Milky Way.

Scott, Richard. Mission in Time: An incredible time-travel journey (pp. 26-27). Winter Island Press. Kindle Edition.

There are so many things wrong here I can hardly list them all.

First, he says they need to come to a complete stop in order to turn around. That spot in space was at 1.4 light years from Earth. If it took them 4 months to accelerate to light speed at 3g, to slow down to a complete stop and turn around and go back to Earth will take another 4 months at 3g acceleration, before they are stopped relative to Earth and can start going back, accelerating again to light speed for 4 months and decelerating again. Reading the author’s explanation sounds like the ship just stopped and the magic side thrusters turned it around to go back.

Then he says they couldn’t see the Sun from where they were? Really? They were 1.4 light years out, that’s about a third of the way to Alpha Centauri. From that point in space, the sun would still be by far the brightest star in the sky. But then, in the section below he states they saw Alpha Centauri, the closest star to Earth, and it was the biggest of them all – even though then it was still 2.6 light years away.

As we neared the final third of our trip back to Earth of an earlier time, we came closer than humans have ever come to many of the stars that I had seen through telescopes when I was younger. Off in the distance we saw an amazingly bright 61 Cygni, which is 11 light years from Earth, but appeared huge to us from our position in space. Again we saw a huge-looking Sirius, the brightest star in the sky when you’re looking at it from Earth. Then we saw Alpha Centauri, the closest star to Earth. To us, it was the biggest of them all.

Scott, Richard. Mission in Time: An incredible time-travel journey (p. 29). Winter Island Press. Kindle Edition.

So 61 Cygni, 11 light years from Earth, was suddenly “huge” when they were 1.4 light years closer to it, that’s assuming 61 Cygni is anywhere near the direction of Alpha Centauri.

Enough! You get the idea.

The first five chapters of the book are full of nonsense like this that the author sounds like he is trying to pass off as physics. But it’s just that, nonsense. The author should have had the two men hit by lightning as they walked the streets of Boston on a summer night and transported them to 1774 that way. It would have been a much better story, and the author would have maintained some semblance of credibility.

And I would not have written the longest book review ever about one of the worst books I have ever not finished reading.

Zero Stars

Book Review: A Time Before Time – by Benjamin Eiffel

a-time-before-time

This is absolutely the worst book I have ever read.

I am not sure how I even came to spend $2.99 for this book. It was listed as a science fiction and time travel novel in my Amazon feed. Once I was a couple of chapters into it, and since it was so short, I kept reading it not because it had my attention, but because it was so bad, I kept reading it just to entertain myself.

I am not sure if the author is writing in English as a second language, but he’d better be. Misspellings and grammar mistakes abound. Sometimes extra words are inserted, and other times words are missing. Nobody seems to have proofread this book, let alone edited it.

I read the entire book, and I honestly don’t know what is going on. An astronaut, who likes aviator glasses (we know this because about 5% of the book talk about his glasses) leaves on a journey. It is not clear where to and why. But he has to say good bye to his wife, who goes into cryogenic sleep while he is gone. Somehow the science goes wrong and he ends up in the 1960s somewhere in the American West, and there are some characters they interact with. The astronaut is also a gambler, and he wins some money in Las Vegas. I am telling you, it is really, really bad.

Just to give you a sense, here is the entire chapter 4, where the three astronauts wake up and discover that one of the three of them is dead. You’d think that would tragic? Check for yourself:

Chapter 4

When Liam came to, the ‘balloon’ had split, slowing the ship. He was the only one of the three that were conscious. He sent some messages back to earth. Orbits of other planets were periodically slowing the ship down. His messages were sporadic. He knew that earth would not receive them for years, now, but he sent them, anyway.

He looked up. They were headed towards a planet at full speed. It was their intended destination. The ship had been knocked off course. Liam attempted to wake up his captain. Captain Stewart woke with a start.

Keats had been thrust back in his chair too forcefully. His belt had broken. His neck had broken. He was dead.

‘Stay calm.’ The captain said. Liam was unsure of who he was talking to. ‘We’re still alive. We can make it back.’ He muttered under his breath, before calmly telling Liam some orders. He immediately obliged. The ship yawed and tilted. It was in the pull of the atmosphere, but it was enough. They orbited it and began heading back in the direction of earth.

‘Let’s sleep.’ The captain said, leaving his chair and painfully making his way back to the quarters. Liam sent one more message before following on. ‘We’re going to make it.’ The captain said before closing his pod and freezing himself.

Liam followed on. For a few years there was nothingness. It was the best he’d ever slept.

My rating scheme does not support negative numbers. If I could, I’d give this book a negative 4. But as it is, zero must suffice.

There are sequels to this book. No thank you.

Rating - Zero Stars

Movie Review: The Room

The Room

My rating system only goes down to zero. This movie should be a minus four. It is absolutely the worst movie I have ever seen. It’s one hour and 25 minutes long, and the acting is as bad as that in porn. However, in porn it lasts for about a minute, before the Chi-Chi-Bow-Bow music comes and the action starts. Here it goes on for an interminable hour and a half.

The only reason I was able to watch the whole thing is because my son made it the featured entertainment for us after Thanksgiving dinner. We had to hand in our smartphones, and we were not allowed to leave, until the movie was over. The Room is a cult classic in San Francisco, he said, because it is so bad.

The guy in the picture above is Tommy Wiseau, the producer, writer, director and lead actor. He is obviously full of himself. Nobody quite knows where he got the six million dollars he spent on his vanity project The Room.

The movie has no plot to speak of (I could tell you in about 20 seconds what’s going on). The story is full of holes. Much of the action makes no sense. Playing football has never been this bizarre before. The acting is horrible – did I say that already?

There are a few sex scenes, where Johnny (the main character) sleeps with Lisa (his fiancée). The scenes are actually quite graphic and take place in the first half hour of the movie. That made me think it might just keep going like that, in good soft-porn style. But no. The second sex scene used the same footage as the first. He must have thought that the audience wouldn’t notice.

Why it is called The Room I cannot fathom. It could as well have been called The Goof or Inept.

Now you actually must rent this movie and watch it all the way through, just so you know what the worst movie ever is like!

And the sentence Why are you doing that??? will never be the same again.

Rating - Zero Stars

Movie Review: Mad Max: Fury Road

Mad Max

It’s been a long time that we had been out for a movie. Checking the Tomatometer, we found that Mad Max had a rating of 99. One of the highest we’d seen in a long time. Can’t go wrong with that!

Or can you?

In all the reviews I have done, I have never been that far apart from the Tomatometer. I am giving this zero stars. I am sorry we paid for that movie. If you paid me twenty dollars to spend two hours watching this again, knowing what I know now, I’d decline.

Apparently this is the fourth post-apocalyptic action adventure in this sorry franchise, and now I know why I never bothered to watch the first three. Charlize Theron stars as a one-armed tough broad on a mission to do – well, I am not sure what she is doing. There is no story that makes any sense. It drags on for 120 minutes, and it looks like they recorded one minute of trucks, hot rods and motorcycles chasing each other in the desert, and ran that recording 120 times. How long can a story be interesting when vehicles chase each other in the desert with the occupants shooting at each other and blowing each other up in spectacular fireballs, on and on and on.

The entire film is an excuse for grotesque makeup, hot rod racing, and senseless shooting, and lots of crazy stunts, all while driving in the desert – somewhere.

I just wonder how the critics all could give this positive ratings with a straight face? They just stole our twelve dollars per ticket.

Stole.

Zero Stars.

Rating - Zero Stars